{ "type": "FeatureCollection", "features": [ { "type":"Feature", "geometry":{ "type":"Point", "coordinates":[73.947977° W,40.745367° N ] }, "properties":{ "title": "Labyrinth (Double Helix)", "creator": "Patrick Ireland", "date": "1969 - 1993", "description": "Photographer: Larry Qualls", "subject": "art; gallery system; institution", "location": "New York, NY; Exhibited at P.S.1 Contemporary Art Center, Summer 1993", "latitude": "40.745367° N ", "longitude": "73.947977° W", "source": "Image and original data provided by Larry Qualls", "identifier": "SSID 14261892", "type": "Image;StillImage", "format": "image/jpg", "language": "eng", "rights": "This item is part of an Artstor Collection.", "rightsstatement": "Terms and Conditions of Use - About JSTOR", "reference_url": "https://cdk-cloud-lab.github.io/controlled-visual-system/item.html?id=demo_003" } }, { "type":"Feature", "geometry":{ "type":"Point", "coordinates":[74.0088629,40.7395877] }, "properties":{ "title": "Karl Haendel – Theme Time – Fruit (drawing)", "creator": "Artist: Karl Haendel; Photo: R. Wedemeyer", "date": "2014", "description": "Theme Time – Fruit, 2013. Tarpaper, matboard, pencil (35″x60″). Courtesy Susanne Vielmetter Los Angeles. (Photo by R. Wedemeyer); Haendel’s objective is to transform the stream of words, images, and brands that he encounters on a daily basis into a controlled visual system, or “Haendel language,” that he employs to explore timeless artistic themes through his own, twenty-first-century mode. ", "location": "New York, NY", "latitude": "40.7395877", "longitude": "74.0088629", "source": "https://whitneymedia.org/assets/image/821907/large_haendel_320_themetimefruit_raw_800.jpg", "type": "Image;StillImage", "format": "image/jpg", "language": "eng", "rights": "© Karl Haendel / Whitney Museum (Courtesy White Cube): All rights reserved", "reference_url": "https://cdk-cloud-lab.github.io/controlled-visual-system/item.html?id=demo_005" } }, { "type":"Feature", "geometry":{ "type":"Point", "coordinates":[–118.474205° W ,34.078018° N ] }, "properties":{ "title": "Untitled Rayograph (Kiki and Filmstrips)", "creator": "Man Ray", "date": "1922", "description": "Title\r\nRayograph\r\nArtist\r\nMan Ray\r\nDate\r\n1922\r\nMedium\r\nGelatin silver print\r\nDimensions\r\n9 3/8 × 7 in. (23.8 × 17.8 cm)\r\nCredit Line\r\nThe J. Paul Getty Museum, Los Angeles (84.XM.1000.173)\r\nObject No.\r\nMR.0089; The photograph gives the sense of filmstrips cascading from the top of the picture as if dropped by someone above. In the lower left-hand corner, a glass negative of Kiki appears to shatter as it hits the bottom of the composition. In this image, made the year he discovered the Rayograph technique, Man Ray symbolically discarded the more traditional methods of picture making represented by the filmstrips and glass negative.", "subject": "art; photography", "location": "J. Paul Getty Museum, Los Angeles", "latitude": "34.078018° N ", "longitude": "–118.474205° W ", "source": "https://www.getty.edu/art/collection/object/104ANZ; https://www.metmuseum.org/exhibitions/man-ray-when-objects-dream/exhibition-objects", "type": "Image;StillImage", "format": "image/jpg", "language": "eng", "rights": "© Man Ray Trust ARS-ADAGP", "rightsstatement": "https://rightsstatements.org/vocab/InC/1.0/", "reference_url": "https://cdk-cloud-lab.github.io/controlled-visual-system/item.html?id=demo_023" } }, { "type":"Feature", "geometry":{ "type":"Point", "coordinates":[97.369° W,32.748° N ] }, "properties":{ "title": "Untitled", "creator": "Hy Hirsh", "date": "1950", "description": "Object Type: Photographs\r\nMedium: Dye coupler print\r\nDimensions: 9 7/8 x 7 7/8 in.\r\nEdition: only known; Following World War I, light abstraction emerged as a central preoccupation of photographers and filmmakers who began using innovative methods of projecting, reflecting, and refracting rays of light to create non-traditional works of photographic art. (https://www.getty.edu/news/getty-presents-abstracted-light-experimental-photography/) ", "subject": "art; photography", "location": "Amon Carter Museum of American Art", "latitude": "32.748° N ", "longitude": "97.369° W", "source": "https://www.cartermuseum.org/collection/untitled-p20082", "type": "Image;StillImage", "format": "image/jpg", "language": "eng", "rights": "© Estate of Hy Hirsh", "reference_url": "https://cdk-cloud-lab.github.io/controlled-visual-system/item.html?id=demo_024" } }, { "type":"Feature", "geometry":{ "type":"Point", "coordinates":[118.2502° ,34.0545° N] }, "properties":{ "title": "Wall Drawing #295: Six Superimposed Geometric Figures", "creator": "Sol LeWitt", "date": "1976", "description": "By the 1970s, Sol LeWitt had expanded his formal vocabulary (originally just a series of parallel, straight lines) to include geometric shapes. These were first limited to ‘primary shapes,’ which he defined as circle, square and triangle, but he soon added ‘secondary shapes,’ or rectangles, trapezoids, and parallelograms. Wall Drawing 295 depicts these six primary and secondary shapes. In the drawing the shapes are superimposed, or layered, within the square. This superimposition technique entered LeWitt’’s practice in his early line wall drawings; his wall drawings of the late 1960s and early 1970s consisted mostly of lines going in four basic directions (vertical, horizontal, diagonal left, and diagonal right.)These four types of lines were often layered on top of each other, allowing for more possibilities of line combinations and the creation of gradations in tone. In Wall Drawing 295, the draftsmen layer the shapes within the square, revealing structural commonalities. [https://massmoca.org/event/walldrawing295/] Purchased with matching funds from the National Endowment for the Arts and the Modern and Contemporary Art Council (M.76.103)", "subject": "art; installation", "location": "Broad Contemporary Art Museum", "latitude": "34.0545° N", "longitude": "118.2502° ", "source": "https://collections.lacma.org/node/227807", "type": "Image;StillImage", "format": "Image/jpg", "language": "eng", "rights": "© Sol LeWitt Estate / Artists Rights Society (ARS), New York", "reference_url": "https://cdk-cloud-lab.github.io/controlled-visual-system/item.html?id=demo_030" } } ] }